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Books Box: Fake Geek Girls: Fandom, Gender, and

Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry. Suzanne Scott

Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry


Fake-Geek-Girls-Fandom-Gender.pdf
ISBN: 9781479879571 | 304 pages | 8 Mb

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  • Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry
  • Suzanne Scott
  • Page: 304
  • Format: pdf, ePub, fb2, mobi
  • ISBN: 9781479879571
  • Publisher: New York University Press
Download Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry


Books Box: Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry

Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016, some male fans of the original film boycotted the all-female adaptation of the cult classic, turning to Twitter to express their disapproval and making it clear that they considered the film’s “real” fans to be white, straight men. While extreme, these responses are far from unusual, with similar uproars around the female protagonists of the new Star Wars films to full-fledged geek culture wars and harassment campaigns, as exemplified by the #GamerGate controversy that began in 2014. Over the past decade, fan and geek culture has moved from the margins to the mainstream as fans have become tastemakers and promotional partners, with fan art transformed into official merchandise and fan fiction launching new franchises. But this shift has left some people behind. Suzanne Scott points to the ways in which the “men’s rights” movement and antifeminist pushback against “social justice warriors” connect to new mainstream fandom, where female casting in geek-nostalgia reboots is vilified and historically feminized forms of fan engagement—like cosplay and fan fiction—are treated as less worthy than male-dominant expressions of fandom like collection, possession, and cataloguing. While this gender bias harkens back to the origins of fandom itself, Fake Geek Girls contends that the current view of women in fandom as either inauthentic masqueraders or unwelcome interlopers has been tacitly endorsed by Hollywood franchises and the viewer demographics they selectively champion. It offers a view into the inner workings of how digital fan culture converges with old media and its biases in new and novel ways.

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Pdf downloads: download Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry site, read Eating NAFTA: Trade, Food Policies, and the Destruction of Mexico online here, book More Than Enough: Claiming Space for Who You Are site, Convergence: SAGE Journals
Convergence is an international peer-reviewed academic journal which was set up in 1995 to address the creative, social, political and pedagogical issues raised by the advent of new media technologies. As an international research journal, it provides a forum both for monitoring and exploring developments in the field and for encouraging, publishing and promoting vital innovative research. Fake Geek Girls: Fandom, Gender, and the Convergence ...
While this gender bias harkens back tothe origins of fandom itself, Fake Geek Girls contends that the currentview of women in fandom as either inauthentic masqueraders or unwelcomeinterlopers has been tacitly endorsed by Hollywood franchises and the viewerdemographics they selectively champion. Book Review: Fake Geek Girls: Fandom, Gender, and the ...
in this journal Suzanne Scott, “Fake Geek Girls: Fandom, Gender, and the ...
Suzanne Scott’s new book Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (NYU Press, 2019) provides an overview of the convergence culture industry and the world of fandom while examining the role that gender and misogyny has played in understanding who is and is not considered an “authentic” fan. Scott delves into the realm of geek culture and explores how this has Suzanne Scott, Ph.D. - rtf.utexas.edu
Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry. New York University Press, 2019. (304 pages) 2 Sartorial Fandom: Fashion, Beauty Culture, and Identity (Proposal and sample chapters will be submitted by Fan/Industry Relations and Responsible Research Design.” Read online: Fake Geek Girls: Fandom, Gender, and the ...
Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry by Suzanne Scott Book details Title: Fake Geek Girls: Fandom, Gender, and th… Ebook for bank po exam free download Fake Geek Girls ...
Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry by Suzanne Scott Book details Title: Fake Geek Girls: Fandom, Gender, and th… Fake Geek Girls: Fandom, Gender, and the Convergence ...
Fake Geek Girls: Fandom, Gender, and the Convergence Culture Industry (Critical Cultural Communication) [Suzanne Scott] on Amazon.com. *FREE* shipping on qualifying offers. Reveals the systematic marginalization of women within pop culture fan communities When Ghostbusters returned to the screen in 2016 Fake Geek Girls by Suzanne Scott · OverDrive (Rakuten ...
While this gender bias harkens back to the origins of fandom itself, Fake Geek Girls contends that the current view of women in fandom as either inauthentic masqueraders or unwelcome interlopers has been tacitly endorsed by Hollywood franchises and the viewer demographics they selectively champion. Fake Geek Girls: Fandom, Gender, and the Convergence ...
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